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SIZE (Room Size) - Use this knob to set the size of the virtual room being simulated (the display will give you feedback).

Predelay createsĪ slap-back echo effect that can add atmosphere and muffle the signal, so use it wisely. Predelay should be set to modest values for small rooms, and can be increased to suit room size. There is a TEMPO switch that selects 'tempo based' predelay.

DELAY (Predelay) - Controls the delay time between the direct input signal and the first reverb reflection.

If you are adding reverb to a drum track, using the L.Cut parameter will reduce the 'rumble' and muddiness from the bass drum by attenuating theīass frequencies before being passed to the reverb engine. Use this to remove low frequencies from the reverberations.

L.CUT (Low Cut) - Adjusts the low cut-off frequency.

Use this to remove high frequencies from the reverb, or to make

H.CUT (High Cut) - Changes the high cut-off frequency.

See Fruity Stereo Shaper for more details on Mid vs Side signals. Side reverberation processing affects the sound in the L/R stereo field while instruments panned close to center will remain unaffected. Processing in SIDE mode can be useful when you are processing a complete mix, giving a sense of space and reverberation without washing out the details, as reverb tends to do in this

The input must have stereo information before SIDE processing will The default is MID processing, summed mono (Left+Right). MID / SIDE - Process the Mid or Side components of the input signal.The whole mix, this tends to muddy the sound also. Rarely should you use reverb on the Master track and affect Track gets busy and has a lot going on it is better to use some light delay on instruments. Reverb works best on isolated or solo instruments. NOTE: Reverb is one of those effects that is easy to overdo in a mix, creating a washed out and 'muddy' sound. Fruity Reeverb 2 can create lush and smooth reverberations of up to 20 seconds duration and is the most sophisticated reverb in the FL Studio stable.Īlternatives to Fruity Reeverb 2 are Fruity Reeverb and Fruity Convolver.

If you wish to give your acoustic and electronic instruments a realistic (live) feel, then use of reverb is critical. Fruity Reeverb parameters allow you to simulate different types This is due to the fact that inĮnclosed spaces reflections build up and overlap to create the reverberant sound. If you clap your hands in a bathroom or concert hall, the sound is quite different. Fruity Reeverb 2 simulates acoustic spaces.